Sunday, April 26, 2015
Clearly its no accident, and just as clearly something needs to be done with the Baltimore cops. Murder is murder.
What do the "protesters" do? They steal some reporterette's purse. Yeah, Justice!
Now, what they do in China when the Chicom cops do something horrific, which is a regular occurrence, is they get the whole town together and they go attack the cop shop. They drag all the cops into the street and beat them, burn the building down, the whole works. Cops shops in China get burnt down about monthly due to shit like this. Because logic, right? Cops do something, townies go after them. In plenty of rural areas of China the cops walk very carefully.
But not in America.
In America they loot the 7-11. Because the 7-11 has beer, not because the 7-11 owner did something bad.
The truth is that none of the "protesters" give a shit about Justice or Freddie Gray, they just want to loot, burn and beat up White people. You can tell by all the looting, burning and White people getting beat up.
Getting to be a pattern, you ax me.
But I'm the racist for mentioning it.
Quoting Mr. Gerrold (assuming PGBB has him correctly):
So, Brad, Larry, Vox -- congratulations. You've spoiled the party. Not just mine, but everyone's.Yes friends, the butt-hurt is truly nuclear in scope.
I waited nearly a half century to get here, and when I do get here, there's ashes.
Not just me. Everyone.
And I don't care how you dodge and weasel, how you rend your garments and play the victim game, how you pretend it's everyone else's fault -- that's bullshit. You've made it impossible to have a Hugo ceremony that is a joyous celebration of the best in our genre.
Lets review another post from somebody less famous than Mr. David "Star Trek" Gerrold regarding that " joyous celebration of the best in our genre" bit, shall we? Dave Freer talks about who has been log rolling in SF/F awards.
Many of the same people won Hugo AND Nebula nomination. They were well connected, very much part of the clique that spent a lot of time talking to each other. This is a fact. There is ample evidence of the same. Strangers did not gain nomination. The power brokers, publishers, editors, agents, even influential reviewers were and probably still are part of this ‘In’ group.I've been reading SF/F for a -long- time, and I've been seeing the Hugo and Nebula awards going to unreadable crap for most of that time. By "unreadable crap" I mean things that make no sense, things that are boring, or (and this is a main complaint of mine) things that make you feel dirty after you read them.
Do you honestly, truly believe that those were ‘the best’?
Do you honestly, truly believe that they behaved one way in SFWA… gained great success with it there… and never ever repeated the same very successful pattern elsewhere? It only took 30-40 votes to get onto the nomination shortlist for the Hugo in some categories.
Authors like David Gerrold and books like The Man Who Folded Himself are the kind of thing I'm talking about. The Man Who Folded Himself was nominated for a bunch of awards including the Hugo and the Nebula. [Corrected, thanks Nicolas.] Its a terrible book. I read it in the 1970's when it came out, thinking a Hugo meant it would be Awesome, and after struggling through the damn thing felt like I needed a shower.
But because a bunch of More Highbrow Than Thou VIPs thought is was an "Important" book, despite being a rip-off of Heinlein's "All You Zombies" from 1959, it got nominated.
Its always been that way in my adult lifetime. "Important" books get awards, good books don't. For the most part in my experience, a Hugo on the cover means "take a pass on that one!" There are exceptions of course, as I have to throw in for the Nit Picker Battalion, but its been a rule that has served me well over the years. Hugo = politically correct deviant horseshit, 8/10 times.
That's why I'm so pleased with the Sad Puppies campaigns. Finally we get to serve a big steaming plate of FUCK OFF! to the Highbrow Cognoscenti and their fucked up Important Books. Proud to be a part of it.
I also think this is a culturally important campaign. Here's why:
|Voice of Fire.|
The people who made this travesty possible long ago utterly ruined Fine Art. They have finally come for Science Fiction. The painting Voice of Fire is a graphic representation of the Hugo Awards and all the underhanded machinations it contains.
Sad Puppies is me doing my small part to jam a stick in their spokes. The consternation and rage apparent on all the "fan" sites (like I'm not a fan) make it plain that IT WORKED and some snotty SJW fuckers have done a huge faceplant on the hard concrete of Reality (TM).
Incidentally, for all you -stupid- cocksuckers out there with the Guilt By Association thing going on, please feel free to link me with Vox Day and the Rabid Puppies. I have no connection to any of those guys and I didn't nominate anything on the Rabid Puppy slate, but since the facts don't matter just go ahead and smear me with that.
I don't actually care what any of y'all do, given that my comrades and I are KICKING YOUR ASSES. Best $40 I ever spent.
Loaded from a link kindly provided by WiFi Lunchbox Guy, this logo is made of awesome.
My perspective, this is a graphic illustration of the Sad Puppies 3 having moved into the Hugo House the SJWs Stole:
|Note tacky SJW decor, note guy actually READING the nominees.|
Sad Puppies 4, next year:
|Note improved decor.|
Friday, April 24, 2015
DC discovering yet again that the most important thing about a movie director, particularly for a comic book movie, is not if they sit down to pee.
Not long after it was announced that Warner Bros. and DC Comics would be producing a Wonder Woman feature film starring Gal Gadot in the title role, the studio made clear their intention to hire a female director for the project. In November, they secured Michelle MacLaren, whose credits including episodes of Game of Thrones, Breaking Bad, and Better Call Saul.
Now, MacLaren has departed the project over "creative differences."
Directed by precisely the wrong director, Jonathon Frakes, and written by people who did not know a single thing about the original Thunderbirds series. The most important thing about Jonathon Frakes, for the purposes of making Thunderbirds, was not his personal plumbing, or surface albedo, or any of the other horseshit that SJWs get bent out of shape over.
Quote from Wikipedia: "During development, creator Gerry Anderson was invited to act as creative consultant, but was left out when the studio felt there were enough employees on the payroll acting as part of the creative team. The studio offered him $750,000 (£432,000) to attend the premiere but Anderson could not accept money from people he had not worked for. He eventually saw the film on DVD and was disappointed, declaring "It was disgraceful that such a huge amount of money was spent with people who had no idea what Thunderbirds was about and what made it tick." He also said that it was "the biggest load of crap I have ever seen in my entire life."
This Wonder Woman movie is going to suck as hard or possibly even harder than Thunderbirds did, and for the same reasons. The thing will be getting written by people who don't give a shit about Wonder Woman, its being staffed and cast by people who are clearly putting feminist politics ahead of EVERYTHING else including profit, its going to be directed by some pinhead who's got lots of Social Justice Warrior/Feminist cred and zero talent, and it will be promoted as some kind of political feminist propaganda film. Which no one in their right mind will want to pay money to go see. It will be on Netflix three months after the release.
Thursday, April 23, 2015
Armed with high-tech software and years of crime data, Miami police believe they will soon be able to stop crimes by predicting when and where they will occur.
It sounds a little like something out of a science fiction novel, but the department is in the process of adopting a system called HunchLab that produces maps showing small areas where specific crimes are likely to be committed during shifts. The probability program is a geographical version of "predictive policing" software, which more departments are using — even if, in the words of one supportive cop, it's "kind of scary."
Similar algorithm-based programs have been credited with lowering crime rates in cities around the country, and some South Florida departments recently have adopted their own systems. In Miami's case, the department is funding the implementation of HunchLab and other software programs with a $600,000 federal grant doled out by the Bureau of Justice Assistance to encourage smart policing tactics.
Miami accepted the grant in November. On Thursday, the city commission will vote on a $120,000 contract with Florida International University to have Rob Guerette, an associate professor of criminal justice, study the department's program and run tests ahead of its launch.
Why can't these dead tree assholes hurry up and go bankrupt already? My ghod, what a tool.
Wednesday, April 22, 2015
This is a comment from "Greg" I found over at John Scalzi's blog, Whatever.
thephantom: Couldn't figure out who and what to vote for myself, right? … Its all down to Torgersen and Correia, not to forget the odious Vox Day. Right?
A quick look at your blog (http://phantomsoapbox.blogspot.com/2015/04/authors-dont-even-make-minimum-wage.html) shows you doing nothing but parroting the charges by VD, so, yeah, apparently not. Why are authors paid so little? You explain by reproducing VD's sermon:
the "professional organizations" of various literary genres have been taken over by raving Leftists. The one that simply LEAPS to mind is of course the SFWA, the Science Fiction and Fantasy Writers of America. As well, over the last 30 years the awards given for Science Fiction and Fantasy such as the Nebula Awards, the Hugo Awards etc. have uniformly rewarded dreadful message fiction over good stories that have succeeded in the marketplace.And you repeat the exact same sermon against racial diversification: (http://phantomsoapbox.blogspot.com/2015/04/indie-music-too-white.html)
Nuh uh. And y'all are a racist for even thinking this might be racist. Because… well I'm not sure why, but RAAAAACIST!!!!!! Also, nerds are racists. Because anybody who applies Rationalism to anything is RAAAAACIST!!!!! Why, you ask? Asking "why?" is RAAAAACIST!!!!!!!! The Phantom RAAAAACIST!!!!!the phantom is racist. You said it, not me.
When the hugos got the slate from VD, you're post (http://phantomsoapbox.blogspot.com/2015/04/hugo-award-nominees-posted.html) was again, more of the same from VD:
Read it and weep, bitchez:But who did you vote for? Well, you actually confess right here:
and I voted for people whose books are in my library, or whose works I have read and liked, or whom I have at least heard of. Meaning mostly the Sad Puppies Slate,In short?
I voted … mostly the Sad Puppies SlateSo, no, you didn't figure out what to vote for yourself. You're a meat puppet for the slate. Congratulations on your new found "freedom".
Why did you vote or those things? For the exact same reason VD asked you to vote for those things: pure politics. To "stick it" to the left. Nothing to do with the works themselves. Pure politics.
Result, the rending of the clothes, the tearing of the hair, the wailing and cursing of The Left.From Feb 2015, you have a post complaining about a group trying to get people to stop using "gay" and "retarded" as slurs. You're response? Bigotry that would make your leader VD proud.
The whole thing is so lame I feel retarded for having even read about it.So, good on you, phantom, you're a bigot doing exactly what master bigot VD wants you to do. Yay you!
Update: Seems Greg fears the Iron Finger of Deletion! Over at Scalzi's blog he's going off about it.
|Scrawny little git, isn't he?|
And on this day, let's not forget the great legacy of this revolutionary leader.
Oh, and happy Earth Day if you like that sort of thing.
I'm going to go do some of this later, to celebrate the dirt.
and maybe some of this:
Go burn some gas, you hippies!
Tuesday, April 21, 2015
The research, commissioned by The Authors' Licensing and Collecting Society, found the top 5 per cent of writers earned close to half of all the income received by professional authors in 2013. The median income for professional writers is just £10,432, less than the minimum wage. Technical and academic writers are among the worst paid.Well, what about the rest of them then?
The report, compiled by Queen Mary, University of London, concluded: "There is a high concentration of earnings in a handful of successful writers whereas most do not earn much at all."
The bottom half of writers – those who received less than £10,432 in 2013 – earned just 7 per cent of total earnings between them. "It appears that writing is a profession where only a handful of successful authors make a good living while most do not," the report said.
Update: Hi Greg! (Greg is a troll from John Scalzi's blog who is too chickenshit to post here.) For your information and edification old son, I, The Ineffable Phantom, wrote this post. In its entirety.
Vox Day did not write this, nor did he have any input. Nor does he know who I am, nor would he care a damn if he did, I'm sure. I have never read anything by Vox Day, nor have I ever linked to his blog, nor have I even seen his blog that I recall.
Also on a more personal note, should we ever meet in Real Life I will be sure to thank you for labeling me a racist in the time honored way of my People. Who are the Scots.
Saturday, April 18, 2015
Now, the linked Jacksonville Business Journal article talks about the "GE Intelligent City Initiative", but it doesn't say what it is. Just that it collects and shares "data" collected by "street lights".
In accordance with the "GE Intelligent City Initiate," the "data-collecting" LED streetlights will be placed throughout the city's downtown and surrounding areas.
According to a Thursday morning presentation by GE, the lights will be "interconnected with one another and will collect real-time data," as reported by the Jacksonville Business Journal.
"GE's intelligent LEDs are a gateway to city-changing technology, with sensors, controls, wireless transmitters and microprocessors built within the LED system," GE states.
One of the more relevant, ready-to-go applications is the ability to have smart parking. Through the streetlight sensors, residents can be notified when parking spots are available, or even if their meter might be running out.
The "streetlight" also be able to read and record LICENSE PLATES, which when combined with government license records opens all sorts of possibilities for local law enforcement to track people, collect fines, all kinds of stuff.
Saturday, April 11, 2015
Whiteness. Apparently, this is a problem.
As a lover of Belle and Sebastian, I was disappointed, though certainly not surprised. Belle and Sebastian's work is steeped in Whiteness; God Help the Girl merely underscores this. The film itself is an egregious mess that romanticizes a woman's struggles with an eating disorder for the sake of Murdoch's self-promotion. The optimistic, happy-go-lucky and painstakingly adorable aesthetic evidenced in every character he created is founded in Whiteness. Whiteness is beauty; Whiteness is what gives the character the ability to dream of fostering a career in music; Whiteness is what enables the audience to empathize with Eve's character. A recurring filler in the film was a fictitious radio show where two men try to decipher what "real" indie is and every band mentioned is white, enforcing the film's aspirational Whiteness. While Belle and Sebastian aren't the only examples of perpetuating Whiteness through indie rock, this movie serves as a microcosmic view of what is wrought by racial exclusivity that is omnipresent in indie rock.
In indie rock, white is the norm. While indie rock and the DIY underground, historically, have been proud to disassociate themselves from popular culture, there is no divorcing a predominantly white scene from systemic ideals ingrained in white Western culture. That status quo creates a barrier in terms of both the sanctioned participation of artists of color and the amount of respect afforded them, all of which sets people of color up to forever be seen as interlopers and outsiders. Whiteness is the very ideal for which art is made in Western culture, be it the cinema of Wes Anderson or, say, the artists on Merge Records.